Pacific Rim - Three Jaegers and a Kaiju Baby

Just a fun post with some of my NECA figures!

Kaiju Photobomb!

"Stay very still, Cherno..."
"What? Something on my reactor...?"

"D'aw look, Coyote, he's saying hello!"

"We shall love him and pet him and call him Squishy...

...

GOJI"

"What? I'm hungry!"

"Who's my baby boy!"

AM

Pacific Rim - Mechas & Monsters

Following on from my previous post reviewing Pacific Rim...I decided to hold back on two aspects that are the most crucial of all; the Jaegers and the Kaiju...For now!

This is more-or-less 'part two', but I will be saying something about each Jaeger and all the live Kaiju featured in the film, so this is more about the love than reviewing!

Overall I found the creation, designs and effects of the Jaegers and Kaiju most incredible...Especially how they interacted with the world around them; Industrial Light & Magic (ILM) handled the VFX work and they have blown themselves out of the water (reference intentional) for Pacific Rim. We've seen films with huge masses of CGI water before (Star Wars - Episode II: Attack of the Clones, Pirates of the Caribbean: At World's End, etc), but they have mainly been background elements. They have looked great from a distance, but the lack of interaction between other things can be a clue as to how the effects have evolved today...In Pacific Rim, entire battles take place in raging storms and the skyscraper-sized machines and creatures regularly break and interact with the surface of the ocean. The amount of detail in the CGI waters, even for the larger-scale frames, just go to show how much work has gone into it...And that's just the water.


JAEGER (German for 'Hunter')

As the Jaegers we inspired by the many mechanoids from Japanese culture, it's clear to see why Guillermo del Toro wanted to make his different and recognisable. I believe he has pulled it off wonderfully. Even within the world of Pacific Rim, each Jaeger looks distinct and unique, each with differing capabilities and even personalities (a few things Michael Bay needs to learn...! Haha).

COYOTE TANGO - Japan (Mark 1)
As Coyote Tango feautures heavily in the promo material (as above), you would've expected it to have as much a part to play as the other four Jaegers. Not so, as it would seem. Yes, it does play a vital role in the film, but the appearence of Tango is reduced to nothing more than a cameo...And only within Mako's flashback as well.
   The design of Coyote Tango is distinctive from the other Jaegers in that it's rather indistinctive, compared with the others. As the mech is only a Mark I, this does make some sense in the universe. The only really defining features of Tango are the two massive cannons on its back.
   The downside to Tango's fleeting cameo is that we didn't really get to see it in action. The cannons look like they could've done some serious Kaiju damage, so I would've been happy to see the fllashback show the whole fight between Tango & Onibaba. However I do understand and accept why we didn't see much (it was crucial to stick with Mako and her POV). There's solace in the knowledge that Tango has been retired from active duty; perhaps in a sequel the Jaeger will be revisited and revamped and we'll see the return of Coyote Tango.

CHERNO ALPHA - Russia (Mark 1)
The Jaeger from the Russians is a seriously beefy-looking tank of a mech. The large cylindrical energy cell atop the body (where other Jaegers' heads would be) makes Cherno one of the most recognisable. It was pleasing to see a more hand-to-hand/sparring fighting style than the other Jaegers. Like the others it has a very unique heavy-handed style. If there's one thing I find strange; it's that the legs of Cherno seem disproportionate to the rest of the body...Somehow they look as if they shouldn't be able to support the rest of the Jaeger. There may be an explanation, but it's quite curious! Anyway, according to the backstory that we know of, the Jaeger personally saw off and defeated six Kaiju in Russia before the events of the film. It's easy to see why!

GIPSY DANGER - USA (Mark 3)
Undoubtedly the 'hero Jaeger' of the film, Gipsy Danger has the most human-looking proportions and features than any other Jaeger. (This was most likely intentional for audiences to connect with, of course.) Del Toro stated that he wanted Gipsy to be akin to a western gunslinger...I can see what he means, but the streamlined and chest-reactor design reminds me more of Iron Man! (Hold that thought; there's something related I'll get to later!)
   For unique attributes, I absolutely loved the blades that emerged from each arm. Initially they look like chainsaw-type weapons, but they're just segmented; the pieces form solid blades. Plus the inclusion of rocket boosters in various parts of the body (torso, elbow, etc) were very clever and creative!

CRIMSON TYPHOON - China (Mark 4)
Straight away, the Crimson Typhoon sets itself apart from other Jaegers with the bold, flag-based colour scheme, the three arms and the cyclopsian-looking head.
   The colour marks a significant move for CGI. Up until recent years, red has been a very problematic colour to 'control'...Especially for CGI. (In fact, the issue with reds lead to the Transformers decision to have the flame deco on Optimus Prime...Later for the sequels, red characters became more common, suggesting that ILM have at least conquered some of the issues). The level of photo-realism in Crimson's red just goes to show how far the reds have come...And good job, too!
   With the three arms of the Typhoon, I believe they're a more physical representation of the three pilots (the only three-member pilot team for any Jaeger). It seems that with the triplets, the extra arm was added to accomodate and make use of extra brain power...It's a shame that we didn't get to see much of all three triplets in action. But at least the capabilities of the Typhoon were portrayed brilliantly!

STRIKER EUREKA - Australia (Mark 5)
In the film, the offering from down under is the most advanced Jaeger to exist. It's easy to see why this design was the original consideration for the 'hero Jaeger'. The design is sleek, the 'wings' on the back a great addition and weapon systems (retractable arm-blades and chest-missile launchers) are the ultimate in Kaiju behind-kicking!
   The only niggle I would say about the design is that, although it's a fantastic design, it's not as strikingly distinct as others and therefore quite similar to Gipsy Danger...In fact, sans the 'wings' on Striker and the nuclear turbine on Gipsy, they are the only two Jaegers that come close to looking alike to the casual viewer. Nevertheless, it's brilliant to see Australia have such an important role in a western blockbuster (something I can't remember since Mission: Impossible II...Back in 2000). I really hope that Australia will play a role just as important in the sequel.

And probably because of Australia in an important role, there's something about this image (and moment in the film) that makes me beam! ^^

In the expanded universe, there are many other Jaegers from many other countries. For the sequel, I hope that we'll get to see more of them. I especially want to see Jaegers from; Canada, Mexico, Chile, New Zealand (a Middle Earth Jaeger! Imagine that! XD). I'd also love to see contributions from countries that don't border the Pacific Ocean such as; Italy, India, Germany, South Africa, Brazil, UK, Portugal...


KAIJU (Japanese for 'Monster')

The term 'Kaiju' is a combination of Japanese terms, it it does have more literal translations, but 'monster' is the simplest. (If you want to go further, the Kaiju featured in Pacific Rim and the classic Toho films are really examples of 'Daikaiju' - 'Giant Monster'!)
   The designs for the Kaiju in Pacific Rim are incredible. Just like the Jaegers, thought and care has been put into them to make sure they are distinguishable, unique (both in the film universe and amongst themselves to a degree) and have the potential to become iconic in the future of western cinema.
   Not to give too much away for those who haven't seen it, but there is a connection between all the Kaiju that means they're all close...Dangerously close...

TRESPASSER - Category III

The one that destroyed the Golden Gate Bridge. I'm actually only presuming that Trespasser is a Category III Kaiju due to his size. Distinctive by the massive Dinosaur-like crest atop its head, the basic body with four arms and clawed hands will make further appearences in other Kaiju, further solidifying their connection.

ONIBABA (Japanese: 'Demon Hag'/'Ogre Grandma') - Category II
The Kaiju that attacked Tokyo in Mako's flashback and the one killed by Coyote Tango. Very crustacean-like in appearance. I do love how some of the Kaiju names are Japanese insults!

KNIFEHEAD - Category III
In the film, this is the first Kaiju we see tangle with a Jaeger. With a body shared with Trespasser and an appearance akin to a shark, Knifehead proved to be more than a challenge for Gipsy Danger...

MUTAVORE - Category III
Mutavore is the monster that attacked Sydney and, as a result, tangled with Striker Eureka. Officially the first referred to as a female. The final design of Mutavore became simpler than the concept art depicted above.

OTACHI (Japanese: 'Big sword') - Category IV
The translation of 'Otachi' is befitting for this Kaiju as she's one of the most vicious. She's able to project a corrosive acid fom her mouth, her massive tail ends with crushing claws and she can fly...So far the only Kaiju known to. Design-wise she is one of my favourites (next to maybe Trespasser). Perhaps it's because there's something Xenomorph/Dino-esque about her...

LEATHERBACK - Category IV
Like Otachi, Leatherback is one of the more cunning of the Kaiju. However, his strength lies in his brute force. With a body built like a gorilla and an EMP organ on his back, Leatherback is certainly a formidable opponent for the Jaegers.

RAIJU (Japanese: 'Thunder Beast') - Category IV
A crocodilian look sets Raiju apart from the others and is perhaps the most reminiscant (from the Pacific Rim Kaiju) of the classic Toho monsters. Swift and speedy through water, one other unusual (and creative) feature of Raiju is that his head is encased within a larger, armoured shell. This results in a 'head within a head' appearence...Not too dissimilar from the sandworm in BeetleJuice.

SCUNNER - Category IV
Partnered with Raiju, Scunner is another Kaiju with a similar body to Trespasser & Knifehead, but is also a very distinctive Kaiju due to the masive horns either side of its head. As deadly as Knifehead's blade, the horns can be very formidable when the Kaiju uses itself as a battering ram.

SLATTERN - Category V
Without a doubt the largest and most powerful Kaiju. Slattern is aptly the 'Chernobog' of Pacific Rim; the Devilish monster as you enter Hell. And it's easy to see why; one of the most evil-looking creatures ever! (The notion that even bigger and more powerful Kaiju could emerge is just near-unthinkable!) In fact, I wanted to see much more of it...But I suppose I'll have to see the film again for that!


If you support any of the Jaegers or Kaiju, here's a place where you can do just that...Jaegers are taking the lead so come on, you Kaiju lovers! ^^

With a sequel on the table, Guillermo del Toro and Travis Beacham have so much potential to explore. Personally I'd love to see Jaegers and Kaiju clash in more environments, such as jungles or deserts (of course they'd have to make that make sense). Regardless I can't wait to see what comes next for the mechas and monsters!

The British Film Istitute recently did an article on selected Japanese monsters and their movies, in the wake of Pacific Rim. And they're exactly the monster movies that Guillermo is inspired by...So here's a chance to explore the Kaiju (or Daikaiju) that started it all! ^^ (I'll probably use this to catch up!)

http://www.bfi.org.uk/news-opinion/news-bfi/features/top-trumps-giants-japans-monster-movies

Which brings me briefly to 2014...Logically in the film industry we'd see something that's tried and tested before going about original projects. However, we're seeing a dramatic shift...
   Legendary Pictures may have released Pacific Rim this year...But they, along with Monsters director Gareth Edwards, have been working on something with just as much passion and love that del Toro has for Pacific Rim. Something that I believe will fully restore general public love for monster movies...

THE MOTHER OF ALL KAIJU:

AM

Pacific Rim - Aftershock

Not many reviews crop up on this Blog, but I feel the need to make a post about the event of the summer:

PACIFIC RIM.

(The following post contains feelings of excitement and joy, so please excuse the hysterical nature of writing...!)

I think I first became aware of it last year (from Comic-Con images), via a simple poster with the logo. Didn't think much of it of course, but I did muse that it sounded big. Forgetting about it after some time later, another poster emerged...This time it actually showed you how big it would be; two tiny people stood on the shoulder of a giant humanoid machine. After the Transformers films (which I do enjoy to a degree, but accept that they aren't the best examples of film-making), my interest was peaked. Then somewhere along the lines I realised Guillermo del Toro was directing it (interest peaked even higher) and then, after assuming that it was adapted from something...I discovered it was an original piece (interest SHOT THROUGH THE ROOF).

Original? Original CGI-laden blockbuster? These days? What?!

I saw an interview with del Toro last year, where he described his inspirations and his passion for the project. Of course now it's so obvious; monster films and mecha-movies...Both of Japanese origin. In an age of sequels, remakes, adaptations, reboots and spin-offs, I believe we now have a new category; INSPIRED.

Then came the end of 2012...We got our first trailers; first initial reactions (I laughed when I read a comment on the first teaser; "suck it, Michael Bay" XD) and then in February, the first Kaiju attack hit San Francisco (well, in the viral marketing/film universe it did).

Since then I've been getting more excited as more trailers were steadily released (that's steadily, Star Trek Into Darkness!) and more features were released...Kept watching and reading and hearing more about the making of it...Just generally becoming more eager to see the film! For an original project, I did feel that I was putting a lot of faith into something before experiencing it that could be destroyed. But as it was a Guillermo del Toro passion project that features smackdowns between mechs and monsters (and Ron Perlman), I knew there'd be something I would like!
I saw the film on opening day; Friday the 12th. I was not wrong. Far from it...It blew my expectations above and beyond anything that the promo material could portray!

Wow. Just...Wow.

It's now four days later and I am still buzzing from it, eager to see it again! I've read other peoples' thoughts on the spectacle and there are many things I agree with...So I'll try to form coherent sentences!

The Heart
Guillermo del Toro has said that he wanted Pacific Rim to have something that is lacking in big films these days and that is 'heart'. Through his inspirations and his childhood (which he has still thankfully retained), it is clear to see the passion he has put into the film. His inner ten-year-old must have been controlling Toro as if he were a Jaeger himself!

As this very fascinating interview shows, Toro puts his passion into not just genre, but film itself:

The Brains
Now Pacific Rim is not just Guillermo del Toro's vision; the story was conceived by writer Travis Beacham and the script co-written with del Toro. The beauty in the story lies in the simplicity; massive monsters emerge from the ocean...We make equally as massive machines to beat the living daylights out of them. To be honest, as soon as I heard the story, I thought that it would serve as the backdrop whilst there is a personal, character-driven journey that we follow. And yes, I was right, but I didn't realise how related the setting and characters would be...How integral they are to each other (especially compared to other pictures).
   And the master-stroke? The creation of a neural interface that meant at least two characters had to share memories with each other...Now think for a second what that would be like; to have somebody else be able to see and experience every single memory that you have; all the bad things, all the good things, all the things you keep in the box under your bed...Everything that makes you...You. It seems incredibly risky and you may be put off by the idea, until you remember that it works both ways; you will have access to all their memories too...! Now it's a case of trust; being willing to let somebody else see how you tick, which is also why the Jaeger pilot teams work so well together due to familial bonds; siblings, father and son, husband and wife, etc (the latter of which to me seems the most beautiful). As a plus, the interface directly transfers to the body of the Jaeger; whatever happens to the machine, the pilots would feel.
   This Matrix/Inception-level creativity allows for some interesting explorations in terms of mind, body, the self (psychology, philosophy, existentialism, etc) and provides instant character development in terms of emotions, experiences, trust, co-operation, etc.


The Film
One thing that I love about the film's plot is that the bulk of it happens in a setting where Kaiju and Jaegers have already been established. The setting is the basis for the story, rather than vice versa. To start with we have a montage that takes us through the lead-up to the story. Of course exposition needs to happen, so they've gone with the no-nonsense approach, straight from the offset. And, in relation to the rest of the film, it works a treat.
   As I watched the story unfold, there was a moment where I was suddenly reminded of another large-scale alien-invasion film; Independence Day. Then later, when the plan to get rid of the Kaiju was in action, there was a slight reminder again. The first moment (learning the Kaiju plan) may or may not have been an intentional reference, but it certainly did ring a familiar bell! Nevertheless, I certainly prefer Pacific Rim now over Independence Day!
   I may be the only one who sees the aforementioned reference; others may not and may see others. If so, then it goes to show how much Pacific Rim is peppered with inspirations from many forms of media. I love how Guillermo made extra effort to ensure that the elements (especially the visual elements) of the film do not reference anything in particular. He wanted them to be specific to western cinema; he wanted Hollywood to have their own mechs and monsters (and we remember how J.J. Abrams tried with Cloverfield...The monster of which I actually liked). I believe that the Jaegers and Kaiju of Pacific Rim will become rightfully iconic in western cinema (just like the Dinosaurs of Jurassic Park or Bruce the shark from Jaws) for years to come.


The Score
2012 appeared to have set a precedent for truly recognisable and iconic film scores for big movies with Marvel's The Avengers (Alan Silvestri) and The Dark Knight Rises (Hans Zimmer). This has carried on into 2013 with Iron Man 3 (Brian Tyler), Man of Steel (Hans Zimmer...Again. Alright, virtually all of Hans Zimmer's scores are iconic/identifiable!) And now composer Ramin Djawadi has blown several Kaiju out of the ocean with the score for Pacific Rim. His eletric-guitar based rhythms and melodies seem to be a staple of his work (see; his brilliant score for Iron Man). As a fan of the spaghetti westerns, I get a feeling that Djawadi may also be an Ennio Morricone fan...! With del Toro directing the film with a western dialect ('Marshall', 'Ranger', etc), the electric guitar touch harkens back to Morricone's epic scores. Who knows; after this, Ramin Djawadi may become one of the hottest and sought-after names in cinema...I certainly hope he does!


The Cliches/Stereotypes
Another thing I definitely love about Pacific Rim is the abolition of several cliches/stereotypes that have dogged films for years! On the slight downside, some still remain, but the ones that majorly influence the story have been banished:

REMAINED
- National & Social Identities - Okay, Pacific Rim has a brilliant sense of multiculturalism...But most of the time it's very on the nose; the Chinese triplets are bald, monk-like and are seen practising their martial arts. The Russian duo consists of blonde hair, beefy builds and very stern demeanours (even the music that accompanies them consists of the classic baritone male choral section)...Although, having said that, I do really like the Russian team; the character we get from them is virtually all visual. The representitive for the UK is a middle-aged-going-on-elderly white fellow with a clear sense of Eton toff-ness about him. As for the scientists, Dr. Herman Gottlieb (Burn Gorman) can be seen as your classic 'science nerd'; introverted, lonely upbringing, dedication to work, cardigan-based attire, etc. And, as with the aforementioned UK character, a very clear Received Pronunciation accent.
- The reckless young hero - Yep, he's here, he doesn't follow the rules, but that's why we like 'im (supposedly)
- Not many female roles - Unfortunately...It's a real shame, considering how brilliant a character Mako is. The only other prominant female is one half of the Kaidonovsky team...Where she lacks in dialogue and screen-time is made up for in her physical performance. Any time the Russians are in the frame, you are always drawn to them. And the only other females I can remember are if you count two of the Kaiju, who are referred to as female...
- The 'Customary Black Guy' - *SPOILER ALERT* Now, I don't mean that he's a sidekick or anything, but what always happens to black guys in big movies? (As Darius McCrary once said; "Man, the brother always gets it!") *SPOILER ALERT*

ABOLISHED
- Romantic sub-story - No romantic interest! Huzzah! I was extremely pleased that Raleigh and Mako didn't become romantically involved. It was proof that you can have the two leads in a film of opposite gender without them falling for each other (passing the Bechdel test, I believe). It was brilliant. And, if my memory is correct, the fact that they were differing genders didn't become an issue to be raised...Purely because it wasn't necessary (lesson to be learned for Stephen Moffat, there). I loved that they developed a brother-sister relationship and really hope it continues into the sequel.
- 'America is greatest' - Perhaps Pacific Rim's greatest strength is that it isn't just America - one nation - saving the world, it's "the world saving the world" (as del Toro succinctly puts it). It's glorious; Russia, China, USA, Australia and Japan (with a splash of the UK) are the primary nations depicted. I was actually surprised as to how much involvement the Australian aspect got! Especially for their Jaeger (Striker Eureka)! Hopefully this will be something that will happen in other big films in the future. (And for the record, the Australians and the father-son relationship were depicted beautifully; non-stereotyped and rather touching by the end.)
- Perils of technology - Another major recurring theme in Hollywood is that technology is doomed to fail us one way or another. As such, it's a massive relief that Pacific Rim brings forth the simple idea that technology can help us, not hinder us. It's the Japanese sensibility and outlook, which is the basis for their mechs in the first place. And it adds to a sense of hope that Pacific Rim so boldy has.
- Death and destruction - It's a given that with any film these days with large scale destruction, we're to have a sense of loss and a sense of failure and tragedy on the largest scale possible. Which is why it's such a relief that Pacific Rim provides us with a sensible take. Most battles occur away from any city population and when fights do take place in the cities, the city has been evacuated. When any destruction happens as a result of the fighting, we're free from worrying about people in buildings or vehicles caught in the crossfire. We can just enjoy the smackdown between the two goliaths! Brilliant! Guillermo himself stated that he wants to be able to enjoy seeing things thrown and wrecked without having to worry about people...Us too; people get in the way so much! This point adds to the sense of hope, too.
- Revenge - Another thing brought over from Japanese sensibilities is fighting for your cause with honour...Not revenge. I love that they bring forth this ideal of fighting with form; for others, not for yourself (strength in unity, that sort of thing). As Stacker (Idris Elba) puts it; "Vengeance is like an open wound..." Again, this is another point that adds to the overall sense of hope.


I will have to do another post on the Jaegers and Kaiju. But in a general sense; I love them to bits! I actually think I care more about the Kaiju than other people do!

Still...

I heartily recommend you go and see Pacific Rim. I've heard many people of influence exclaim their enthusiasm (one of the best was from Edgar Wright; claiming that Toro 'Kaiju'd his eyeballs')! And this is one film that lives up to hype and, in some cases, cannot really be desribed because it needs to be experienced! Lots of people have compared the enjoyment to seeing Jurassic Park...As I cannot sing enough praise, I may just agree...!

And just in case you need further pursuasion, here's Amy Ratcliffe's brilliant review! She basically states that if you like anything awesome; then you should see it! (Go and read! I'll wait here for you! ^^)

Hello again! Still not convinced? Here's another great review; '9 Reasons You Should See Pacific Rim, and a Warning' (by author and blogger Ellie Ann) and she puts it more eloquently than I could ever do! (Go read it anyway! Hehe ^^)

Pacific Rim is Guillermo del Toro's childhood; heart-filled fan-mail to his favourite media...And I cannot be grateful enough for the epic adventure that he, along with the entire cast and crew, have given us.

Oh, you've already seen it? SEE IT AGAIN! I will! ^^

AM

(NB: If ILM don't win any accolades for their hard and amazing VFX work...There will be words! Oh yes, there will be words! They had to give up Iron Man 3 for this! That's passion and dedication into original material you can't buy! Well...Maybe you could with enough money...)